Guitarist Kenny Burrell was born on July 31, 1931, in Detroit Michigan. When he was 12 years old he began playing guitar. He had no formal guitar training until later on, although his father played both ukulele and banjo. His mother sang in a church choir, and his brothers played also.

Since 1996 he has been the Director of UCLA’s Jazz Studies Program. In his spare time he has played with Pepper Adams, Tommy Flanagan, Dizzy Gillespie, Milt Jackson, Elvin Jones, Percy Heath, Stanley Turrentine, Jimmy Smith, Donald Byrd, Oscar Peterson… The list goes on and on.

The Kenny Burrell album I want to discuss here is the classic 1958 recording, “Kenny Burrell With John Coltrane”.

Kenny Burrell & John Coltrane

Kenny Burrell & John Coltrane

This album could just as easily been titled, “The A-Team”, as a quick look at the personnel will confirm:

Kenny Burrell, guitar
John Coltrane, tenor sax
Tommy Flanagan, piano
Paul Chambers, bass
Jimmy Cobb, drums

This album was recorded on March 7, 1958 in Rudy Van Gelder’s studio in Hackensack, NJ. My CD is the digital remaster done by Kirk Felton at Fantasy Studios in 1987.

Burrell had only been in New York for a few years at the time of this recording, and many writers have chosen to concentrate on Coltrane and this album’s place in his musical development, rather than Burrell. Both were young musicians, still working to find their groove. Perhaps the focus has been on Coltrane because he died at a comparatively young age.

As a fan of Coltrane, I truly enjoy his contribution to this album. Unfortunately, due to its very nature, a saxophone dominates any musical conversation it takes part in, forcing the other players to the background, even when one of those is the leader.

The album is graced with two compositions by Tommy Flanagan, and the opening number, “Freight Trane” is one of them. The entire group gets the song off to a rousing start. Half a minute in, Coltrane steps forward and takes the lead with a masterful solo, while Chambers’ bass and Cobb’s drums set a blistering pace.

We are almost two minutes into this seven minute-plus song when Burrell takes the limelight. He is followed by Flanagan on piano and then Chambers makes use of a bow on his bass, lending quite a different sort of feel to the song. Burrell and Coltrane share the ending minute or so.

Here is “Freight Trane” done as a YouTube video. Note that there is no real video, just a reproduction of the album cover. The music is the thing here.

Track two is the wonderful “I Never Knew”, written by Ted Fio Rito and Gus Kahn. Yes, I know what you’re thinking. I never heard of either one of them either. You should look up their bios online. Both men had fascinating careers, of which “I Never Knew” was only one small part.

This one launches with Flanagan and Cobb, followed seconds later by Burrell and we’re off and running. Coltrane steps up a couple of minutes later, and the song seems to immediately change. It’s not too long however before Flanagan re-emerges from obscurity, and he is followed by Chambers, once again plucking rather than bowing his bass. Then we are treated to Burrell once again.

“Lyresto” is the only song on this album written by Kenny Burrell. It’s a lively number in which the entire group gets a chance to shine. Burrell himself dominates the piece, which is, of course, only as it should be. Solo after solo, the infectious happiness of this piece never lets up.

A lot has been written elsewhere about “Why Was I Born?”, composed by Oscar Hammerstein and Joel Kern. I’ll just say it’s a quiet, wistful tune that seems to perfectly mirror the sadly introspective question that forms its title.

The album ends with “Big Paul”, the second Tommy Flanagan song here. It runs a little over 14 minutes and is the longest song on this disk. It begins quietly with Cobb’s drums and Chambers’ bass, followed by the writer himself tinkling the ivories.

The guys lay down a slowly burning groove and are quickly joined by Flanagan. For quite a while we could be listening to a piano trio made up of piano, drums and bass.

About four minutes in Trane steps up and takes over the piece for a while. His blowing is truly inspired, but then it occurs to you that we are hearing everyone except Burrell. After another four minutes Burrell’s beautiful guitar takes the center spotlight. He is followed all too-quickly by Chambers on the bass, and for a quiet moment we hear only the bass and Cobb’s brushwork, until Flanagan resurfaces and takes us to the end.

By happy coincidence, when I was researching this article I ran across an interview with Kenny Burrell by Chris M. Slawecki on the allaboutjazz.com web site. In it, Burrell gives us added insight into how “Kenny Burrell With John Coltrane” came to be made, among a great many other topics. You can read that interview here: http://www.allaboutjazz.com/php/article.php?id=41327

“Kenny Burrell With John Coltrane” is one of my favorite jazz albums. I think you’ll find that it will make an excellent addition to your personal playlist for a Saturday, or any other night!

To learn more about Kenny Burrell and his music, you can read the interview mentioned above or visit his MySpace page http://www.myspace.com/kennyburrellofficial

Or you can visit ClassicJazzGuitars.com and read his bio there http://classicjazzguitar.com/artists/artists_page.jsp?artist=57.

Additionally, his music is available for purchase at all the usual legal outlets.

Thank you for reading this.

Al Evans
Wood Village, Oregon


Your comments about this article and/or the subject are welcome! Please use the “Leave a Reply” box below.

Rude, abusive comments and spam (even those not-so-cleverly disguised as actual comments!) will be deleted.

If you represent a jazz artist with an album you feel would “fit in” here, whether a new release or what I call “pre-existing jazz,” please contact me at saturdaynightjazz@yahoo.com. I will provide you with an address you can submit a review copy.

Please note that acceptance by me of a copy of your album for consideration is no guarantee that it will be reviewed here.

Thank you!

My original content, including photos other than album covers, Copyright © 2012 by Al Evans. All rights reserved.

The folks at allaboutjazz.com have a bare-bones calendar of upcoming live jazz in the Portland area. To see it, click here.

Support local jazz! Become a member of the Jazz Society of Oregon today!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.